Ebook Film Directing Shot by Shot 25th Anniversary Edition Visualizing from Concept to Screen Steve D Katz 9781615932979 Books

By Jared Hunter on Friday 3 May 2019

Ebook Film Directing Shot by Shot 25th Anniversary Edition Visualizing from Concept to Screen Steve D Katz 9781615932979 Books



Download As PDF : Film Directing Shot by Shot 25th Anniversary Edition Visualizing from Concept to Screen Steve D Katz 9781615932979 Books

Download PDF Film Directing Shot by Shot  25th Anniversary Edition Visualizing from Concept to Screen Steve D Katz 9781615932979 Books

Shot by Shot is the world’s go-to directing book, now newly updated for a special 25th Anniversary edition! The first edition sold over 250,000 copies, making it one of the bestselling books on film di-recting of all time. Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most com-plete source for preplanning the look of a movie.
The book contains over 800 photos and illustrations, and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to sim-plify the hundreds of staging choices facing a director in every scene.
Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then il-lustrated with the storyboards used for the actual films. Throughout the book, various visual ap-proaches to short scenes are shown, exposing the directing processes of our most celebrated au-teurs ― including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.

Ebook Film Directing Shot by Shot 25th Anniversary Edition Visualizing from Concept to Screen Steve D Katz 9781615932979 Books


"If you're truly into making videos and a beginning director, this would be five stars - it's comprehensive, detailed, covers every topic one could imagine, while obviously just being a basic primer.

For someone like me who was curious about all the decision-making and creative choices that go into planning and directing a movie/video, it's four stars because plenty of it is over my head. But, if you were planning to use this as a guide or a starting point for your own YouTube projects or photojournalism, I think there is an enormous amount to learn.

Basically, this gives you the behind-the-scenes of how shots are created. We take it for granted that a movie is seamless, but they had to make a lot of decisions up to the finished product. You can tell the difference between something done on the fly, vs.something with a lot of thought behind it. The evidence of planning is right there on the screen, and this book will help you understand the reasons WHY directors and cinematographers make the choices they do. Very interesting!"

Product details

  • Paperback 400 pages
  • Publisher Michael Wiese Productions; Anniversary edition (April 29, 2019)
  • Language English
  • ISBN-10 1615932976

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Film Directing Shot by Shot 25th Anniversary Edition Visualizing from Concept to Screen Steve D Katz 9781615932979 Books Reviews :


Film Directing Shot by Shot 25th Anniversary Edition Visualizing from Concept to Screen Steve D Katz 9781615932979 Books Reviews


  • This update of filmmaker Steven D. Katz's textbook on directing is primarily about one activity—visualization. Katz is teaching the craft of imagining what you want to see on screen, and the techniques of putting it there.

    The craft is taught in the book. The art, Katz says, is up to the reader.

    The book is divided into four sections how production design and storyboards enable the director to visualize shots and sequences; how to use the different kinds of shots to compose; how to use camera angles and staging to to tell the story; and how to move the camera.

    If you want to be a director or a cinematographer, or learn any technical craft, Steven Katz's book is up to date and the knowledge contained in it is absolutely necessary.

    Most of the books on movie making I've read approach the topic from the angle of screenwriting, where you're advised not to indulge in technical jargon. I expected this book to be interesting but perhaps too technical to actually read.

    The book—all nearly four hundred pages—flows smoothly and will profit anyone who is interested in film or television.

    Katz divides filmmakers into selectors or directors. The directors work with their colleagues, plan their movies, and can therefore work quickly and more cheaply. The selectors have to try out (or be shown) possibilities and then experiment.

    Of course in any art form there are different ways to work—some mystery novelists plan their stories out in detail and others just start writing. I would hazard a guess that the prolific, successful writers plan to some degree. And the same for directors.

    One of the most interesting and informative sections of the book is the section where a fictional director in training shadows an experienced one from 700 AM to 700 PM during a typical day. You may know that a lot of work goes into shooting a small amount of film, but it's fascinating to learn exactly what has to be done.

    Steven Katz doesn't only deal with technology. He also explains what actors need to do, and what they need from the director.
  • I think this is an absolutely great book for the person who is serious about becoming a film maker, or one who is looking to improve their technique and learn more about film making. I really liked how it was made clear that the expensive equipment necessary to make film 25+ years ago is no longer necessary, that iPads, iPhones,etc....have great cameras and can make some good movies and short films. That said, this book is over my head but would be a great learning tool for someone who is thinking about majoring in film in college. We get books that are proofs to review that are frequently printed on cheap paper and always black and white, but this book (even ours) is very good quality. All the pictures and diagrams are black and white so I don't know if the book you'll be getting will have color pictures, but if not I don't think that will really matter. Please see the, "Look Inside" function and you will see all the topics this book covers plus a lot of pictures that comprise a lot of this book. My daughter loves making home movies using her pets as characters and for someone who has absolutely zero training she does a great job and her movies are always so funny and entertaining. I got this book mainly for her but it's more than she can take on right now, but as I said earlier, this book will be a great tool for more serious film makers.
  • If you're truly into making videos and a beginning director, this would be five stars - it's comprehensive, detailed, covers every topic one could imagine, while obviously just being a basic primer.

    For someone like me who was curious about all the decision-making and creative choices that go into planning and directing a movie/video, it's four stars because plenty of it is over my head. But, if you were planning to use this as a guide or a starting point for your own YouTube projects or photojournalism, I think there is an enormous amount to learn.

    Basically, this gives you the behind-the-scenes of how shots are created. We take it for granted that a movie is seamless, but they had to make a lot of decisions up to the finished product. You can tell the difference between something done on the fly, vs.something with a lot of thought behind it. The evidence of planning is right there on the screen, and this book will help you understand the reasons WHY directors and cinematographers make the choices they do. Very interesting!
  • Katz has done an excellent job cataloguing an array of visual storytelling techniques in “Film Directing Shot by Shot”, covering the principles of framing, shot types, angles, movement, staging, etc… Moreover, Katz familiarizes the reader with the basic rudiments of every stage of production, ranging from screenwriting and storyboarding to editing.

    Katz relies on examples from familiar directors such as Steven Spielberg and Alfred Hitchcock, utilizing their films to exemplify various filmmaking techniques. His intent with this book is to teach the viewer how to visualize a film before it is shot, so storyboards play a prominent role in the text. The book is a clear and accessible read — extremely informative, but never academic or dry — which makes it a great refresher before taking on any project.

    “Film Directing Shot by Shot” will be a frequently referenced book on my shelf. I recommend it!